Discover selected objects and archival designs connected with the Hall’s members. These features introduce the collection; individual public catalog records will be linked as they become available.
Ken Climo Hall of Fame trading card

Ken Climo’s career is represented in the museum collection through a Hall of Fame trading card, an induction disc, and Flying Eye commemorative discs. The trading card shown here connects his portrait with his international Hall recognition. The discs offer another way to explore how a champion’s career has been commemorated. Read these objects alongside the championship record: the results establish the competitive milestones, while the collection preserves objects associated with his recognition. His Florida Hall plaque marks a separate honor.
Steve Slasor’s Florida Hall commemorative disc

The finished commemorative disc brings Steve Slasor’s inaugural Florida Hall recognition into the museum’s object collection. Its printed design names the honoree and presents the Hall’s recognition through the familiar form of a flying disc. Read it alongside Slasor’s biography and the Class of 2021: the object commemorates the honor, while the historical sources document his playing career and service to Florida disc golf. The archive also preserves the production artwork, a separate record of how the design was prepared.
Jeff Watson’s 2022 plaque artwork

The museum archive preserves the production artwork for Jeff Watson’s 2022 Florida Hall plaque. The design identifies Watson as PDGA #1406 and places him in the Sarasota class with Gregg Hosfeld and Tim Willis. Its championship references connect the commemorative design to the career records presented in this biography. This image shows the design file rather than the installed plaque. The distinction lets visitors study the artwork while keeping the physical object, its inscription, and its display history separate.
Tim Willis’s 2022 plaque artwork

The production artwork for Tim Willis’s 2022 Florida Hall plaque records the Hall’s recognition of his organizing and service. Its design credits his club and tour leadership, including directing more than 200 Florida events and assisting at more than 200 others. Read those statements as the plaque’s commemorative account alongside the biography’s supporting records. The image is a design file, not a photograph of the installed plaque; it preserves how the Hall chose to describe his contribution.